Tuesday, October 18, 2016

Few thoughts on "The God Factor" by Nitin Shrivastava

“The God Factor” is a non-fiction penned by Nitin Srivastava. Nitin is an Asstt. Professor in an Engineering College. His continuous interaction with his students and a lot of other people provided him enough insight of an unhappy and discontented mind which encouraged him to write this book. The book is actually a detailed analysis of different perceptions and their impact on our life.



Author Nitin has taken reference of ‘Maya’ from Hindu mythology and efficiently explained our wishes and desires and sometimes, our ‘greed’ on its basis.

Why we are never happy or contented no matter how much we get? Can’t we learn to live the moment and leave the rest of the life in the hands of ‘God’? Why do we dwell in past and let it ruin our present as well as future? Why we rely more on destiny than ‘karma’?

These are the few questions which find focused answers in this book by Nitin Srivastava. According to the author, there is a permanent melancholy cord in us. Happiness is a choice and even a childless couple can have it if they wish to. Happiness leads to success in life. Nitin Srivastava has chosen some folk stories and anecdotes to elaborate his point and he certainly seems to be successful about it.

“The God Factor” could prove to be useful for such people who prefer pessimism to optimism. The book is short and simple yet powerfully speaks for itself. Proper editing of the book could have made it more appealing. However, Author Nitin Srivastava succeeds in a thoughtful interpretation of one of the most important aspects of life.


Author Nitin Srivastava could be contacted at http://www.nitinsrivastava.net/

Sunday, October 16, 2016

My Wishlist : BMW S 1000 RR

BMW S 1000 RR is a sports bike which was first introduced in April 2008 in Munich and was made by BMW Motorrad to compete in 2009 Superbike World Championship. Seeing its huge success, the commercial production was started in 2010.



 The S 1000 RR represents a milestone in electronic rider safety: ultra-lightweight ABS (2.5kg), which can be used in conjunction with the extremely efficient DTC dynamic traction control (available as an optional extra). it has fine control intervals, is virtually imperceptible in its operation, and is light enough to satisfy fans of low-weight bikes.

It has DTC – transparent traction control. This dynamic feature reacts reliably and efficiently to speed, lean angle, and operating mode (rain, sport, race, or slick). It was specifically designed to be as effective on the road as it is on the racetrack.

Its radially mounted Brembo brake calipers help it to decelerate. Not only do brake disks mounted directly on the wheel rims look good, they also reduce unsprung mass.


It has an extreme bore/stroke ratio (80x49.7mm) and rocker arm-actuated valves for great stability at high engine speeds, compact construction and lightweight design – a genuine powerhouse which demonstrates its considerably ability at all output levels.


Its intelligently positioned slits behind the fairing minimize turbulence to allow the rider to maintain a relaxed head position, optimum air-flow around rider and bike ensures stability at top speed, while efficient flow-through makes for maximum cooling. Combined with plenty of eye-catching design features – that’s the way to do it.
If you want to be fast, you have to adopt a relaxed racing posture. The way you sit must allow you to concentrate on the essential aspects of motorcycling – maximum enjoyment and perfect control. The looser you are on the bike, the easier everything else will be. Gone are the days when you had to bend yourself flat. Today's modern posture means you are actually sitting more in the bike than on it.

I so so much wish to own this bike someday...



Fact File :
Type
Water-cooled 4-stroke in-line four-cylinder-engine, two camshafts, four valves per cylinder
Bore x stroke
80 mm x 49.7 mm
Capacity
999 cc
Rated output
193 hp (142 kW) at 13,000 rpm
Max. torque
83 ft-lb (112 Nm) at 9,750 rpm
Compression ratio
13.0 : 1
Mixture control / engine management
Electronic intake pipe injection/digital engine management including knock sensor (BMS-K-P)
Emission control
Catalytic- 2 Closed-loop 3-way catalytic converter, emission standard EU-4 ready
Performance / fuel consumption

Maximum speed
Over 125 mph (200 km/h)
Fuel consumption per 100 km at constant 90 km/h
Euro Rating: 5.7 l
Fuel consumption per 100 km at constant 120 km/h
Euro Rating: 5.9 l
Fuel type
Unleaded premium, octane number 91-93, automatic knock control
Electrical system

Alternator
three-phase alternator 350 W
Battery
14 V / 10 Ah, maintenance-free
Power transmission

Clutch
Multiple-disc clutch in oil bath, anti hopping clutch, cable operated
Gearbox
Constant mesh 6-speed gearbox
Drive
chain
Chassis / brakes

Frame
Bridge-type frame, cast aluminum, load-bearing engine
Front wheel location / suspension
46 mm Upside-down fork, rebound and compression adjustable
Rear wheel location / suspension
Cast aluminum swing arm, Continuously adjustable rear inbound-rebound damping, high and low speed
Suspension travel front / rear
4.7/5.1 inch (120 mm / 130 mm)
Wheelbase
56 inches (1,432 mm)
Castor
3.7 inches (95.9 mm)
Steering head angle
66,1 °
Wheels
Cast aluminum
Rim, front
3.50 x 17"
Rim, rear
6.00 x 17"
Tyres, front
120/70 ZR 17
Tyres, rear
190/55 ZR 17
Brake, front
Twin disc, floating brake discs,radial-fixed 4-piston calipers, diameter 320 mm, 5 mm thickness
Brake, rear
Single disc brake, one-piston floating caliper, diameter 220 mm, 5 mm thickness
ABS
DTC**: DTC 4 mode dynamic traction control adjustment, only avalibale with Race ABS, disengageable
Race-ABS*: 4 mode Race-ABS adjustment, disengageable
Dimensions / weights

Length
80.9 inches (2,056 mm)
Width (incl. mirrors)
32.5 inches (826 mm)
Height (excl. mirrors)
44.8 inches (1,138 mm)
Seat height, unladen weight
32 inches (820 mm)
Inner leg curve, unladen weight
71.2 inches (1,810 mm)
Unladen weight, road ready, fully fuelled1)
450 lbs (204 kg), 455 lbs (206.5 kg) incl. Race-ABS
Dry weight 2)
403 lbs (183 kg)
Permitted total weight
859 lbs (390 kg)
Payload (with standard equipment)
412 lbs (187 kg)
Usable tank volume
4.5 gln (17.5 l)


Reserve
approx. 1 gln (4.0 l)

On Road Price - 28,00,000 INR [approx.]



[The information in this article has been sourced from company profile.]

Friday, September 30, 2016

Book Review: Her Resurrection by Soumyadeep Koley

“Her Resurrection” is a contemporary Indian women centered dark social fiction penned by Soumyadeep Koley and published by Gargi Publishers. The book narrates the different life-phases of an Indian lady. It also gives an insight of the undercurrent situation of lower-middle class Indian women and their struggles which is often polished by the dazzling glamour of showbiz oriented society.



The book is dedicated to Jyoti Singh [Nirbhaya/Damini] and gratification has been paid to all the violence survivors. It is really unfortunate to mention that the book touches the reality of majority of victimized women in India.

About the Author:



Quite contrary to the trend of popular Indian fictions, the author of this book had a clear motive to pen the story. Given the profile of Soumyadeep Koley, the book does justice to the subject chosen.

Soumyadeep Koley is a writer, poet, women’s rights activist and photographer. After graduating with Honours degree in Chemistry from Scottish Church College, Kolkata, he joined the global fight against violence on women. He has worked with Jason Jayology Jeremias, the Founder and Artistic Director of Price of Silence, New York, which employs performing arts to bring the global struggle for women’s rights to life. Soumyadeep Koley has three years of experience in psychological counseling of domestic violence and rape survivors from India and abroad, through unique mystical and metaphysical techniques.



Plot Structure:

The book has a proper plot structure including prologue, epilogue and main book. The story revolves around Maya Singh and her struggles along the hardship of her life.  Given her surroundings, Maya seems to be an extraordinary child who reasons with life even after being contradicted by her father and society continuously. Maya just doesn’t give up when things do not go her way. She suffers loss of family, loss of social recognition, loss of studies and job. And as if all these were not enough, she survives gang-rape. But her extraordinary will helps her to overcome the trauma of prostitution which she is forced into. Her sufferings do not end even after her escape from prostitution. She is cheated in love and fate snatches her unborn child. Still, Maya, like a phoenix, rises from the ashes of her dreams and stands for herself becoming a role model for such women who believe that crises bring a dead end in life.

Plot of the story is well versed and well-researched. The plot only justifies author’s profile again. The different sequences, description of the circumstances, the protagonist’s journey shown via different phases of society prove to be very apt for the storyline. Right from the start, the author holds the grip of the script and never leaves even a single loose end. There are no fillers in the book and every scene seems quite apt.

Narration and Dialogues:

The book starts with first person narration and soon shifts to third person narration. The Prologue and Epilogue are in first person narration. The main book is in third person narration. The conversation of the Prologue which leads to the main book is referred simultaneously and few dialogues have been inserted in the main book. The main book happens to be a story narrated by one of the characters of the Prologue.

This form of book-writing is very trendy in contemporary Indian popular fiction. Picking up the popular style of narration grows interest and curiosity among the readers. It is really the prowess of the author to tell a serious tale in a light style. Author relies on simple and day-to-day conversation and dialogues. None of the dialogue sequences seem to be imposed upon the mind of the readers forcing them to appreciate the author’s verbal intellect. The author carefully maintains the thin line of grace and even in the grave scenes and succeeds in being methodical instead of glamorizing the pain and tragedy. Soumyadeep Koley deserves a round of applause for maintaining this equilibrium since it is the toughest part of tragedy writing to persuade the reader to empathize with the characters without showcasing their pain. Research and relevant experience in the field could be the reason behind author’s intellectual balance.

Characterization:

Soumyadeep Koley’s “Maya Singh” deserves to be one of the memorable heroine’s of tragic fiction. At several instances, Soumyadeep’s Maya reminded me of Charlotte Bronte's "Jane Eyre". However, 'Jane" was dearer to destiny than ‘Maya’. Luckily, she never went through the trauma which engulfed Maya all throughout her life. Her courage, her innocence, her attitude, her morals are just the reflection of a common Indian girl. Soumyadeep Koley has been very labourious and yet very careful in sketching her. He has been elaborate yet very protective while creating Maya. Maya seems more like a sculpture of the author’s mind than just being the heroine of a book. She is inspirational and she is adorable.

Since Maya is the protagonist of the book, all other characters do not get as much attention as her. Maya’s mother proves to be a doting woman who supports her daughter in whatever way she can. The antagonists of the book appear strongly and impress the reader hatefully in the small roles they are assigned. Maya’s love interest ‘Siddharth” becomes lucky enough to get much more attention than them. Siddharth is probably another remarkable character of the book. He is a common Indian man. There is nothing special about him and that is what makes him extraordinary. In a lot of ways, he represents the backward mentality of majority of Indian men who are indefinite, stubborn, like lots of adventure in life and yet make sure to play everything safe. At times, I wondered, why a strong woman like Maya fell for him in the first place.

Soumyadeep Koley has been reasonable in characterization also. His characters are eloquent without being loud which is equally appreciative. This eloquence of his characters makes even the minor-most characters like Saadia, Audra and Sucharita memorable.

But there is one such character who suffers the injustice of the author and that is Damien. The character of Damien had too much scope and versatility but the author chooses to give him a restricted frame for reasons better known to him. Otherwise, Damien would also have been a memorable character.

Treatment of Love and Romance:

Normally, a social tragedy leaves very little room for romance but Soumyadeep Koley managed to grab few scenes of romance from the love track of Maya and Siddharth. However, the nature of the script makes this romance one-sided and readers are acquainted only with the female feelings. Maya falls head over heels in love with Siddharth and her feelings get surreal description from the author.

However, I personally feel that the love story of Siddharth and Maya was bit exaggerated. Such a long sequence wasn’t required. This length could have been used for Maya and Damien. But it was cut short by the author. Perhaps, that is why the tragedy of Damien fails to stir the emotions of readers.



Overall, this book is an honest attempt by the author and he seems quite successful in his motive.

My Rating: 4/5


STRONG RECOMMENDATION

Monday, September 26, 2016

Getting a bit cynical with PINK

Once in a while, the social concern of Bollywood overpowers its commercial hunger and we are provided with a hard-hitting movie with some burning issues. The latest in this line is Shoojit Sircar’s PINK.
First of all, I wish to make it clear that ever since Shoojit Sircar’s changed the spelling letters of his name given his astrological [read superstitious] beliefs, I have always been apprehensive about him. Not that I doubt his artistic prowess rather I doubt his honesty.

PINK is his latest creation which showcases the culmination of his artistic approach. Right from the cast and crew, lights and camera to action and direction, script and dialogues, PINK satisfies the hunger of classy audience. Talking about Amitabh Bachchan’s acting skills is like showing light to the sun. Taapsi Punnu proves herself way beyond her rough and tough avatar in ‘Baby’. Piyush Mishra, Angad Bedi, Kirti Kulhari and all other actors do justice to their respective roles. This courtroom drama movie gives an insight into a real legal proceeding of an Indian court. With its tight script and soothing climax and also the efficient work of on-screen and off-screen crew, PINK manages to stir some neurons in the brains of the general Indian Homo Sapiens’ watching the movie.

Beyond that, PINK is NOTHING…

Before anybody blames me, let me ask one question. Please mention the name of one single movie with a social issue which was successful in changing the mindset of our people. A lot of movies have been there lately. We even had a soul wrenching movie like “Matribhoomi” from our Hindi cinema. The movie released and bagged many awards. And simultaneously, the ever increasing rates of female foeticide and female infanticides continued to laugh in the face of those awards.

We can say that the sole purpose of these movies is to spread awareness. But what is the use of this awareness if there is no outcome?

As soon as the movie released, a large group of men and women retaliated to the views expressed in the movie as in; A girl should say NO when a boy pays her bills, drops her at home etc. etc. [Remember Amitabh’s dialogue in the movie?]

It is quite possible that PINK might grab awards as well. We can also expect debates and arguments on electronic and social media.


But after all this humdrum and hullabaloo, at the end of the day, the scenario will remain as it is. But the worst part of this circus is that the entire male community is cursed to suffer for the stinking mentality of few handful beasts who do not even deserve to be called ‘men’. 


Wednesday, September 14, 2016

Freaky Ali: A Freaking Fun Movie

Freaky Ali by Sohail Khan Productions is a cocktail of emotions, comedy, fun, romance, sportsmanship and most importantly ‘the winner attitude’.

As the story suggests, Ali is struggling financially to buy some comfort in life for himself and his adoptive mother. His friendship with Maqsood leads him to work for a local goon as an extortion debt collector. Ali’s accidental encounter with a golfer reveals his Godgifted prowess for natural swings which co-incides with the sixer shots of cricket. His talent is recognized by the caddy who happens to be his neighbor. And then starts the fun filled roller coaster ride of Ali from being a local goon to a celebrated golfer.

The storyline of “Freaky Ali’ has a striking resemblance to “Happy Gilmore” which gently reminds you of same production movie “God Tussi Great Ho” which had almost everything in common with “Bruce Almighty”.

Anyways, keeping all these issues aside, there is no doubt that “Freaky Ali” is a funny movie which doesn’t demand much logic or brain-storming. The plot structure is straight and predictable. Nawazuddin Siddiqui delivers some punch dialogues. Amy Jackson and Niketan Dheer continue to disappoint with their acting. Rest of the actors including Arbaz Khan, are average. And as expected, Nawazuddin Siddiqui displays his marvelous acting skills in a comic role. There wasn’t much scope for songs in this movie. But to mention, “Parinda hai Parinda…” is soothing to ears.

Why to watch:
     1.     If you wish to enjoy fun-filled light hearted weekend.
     2.     If you watched and liked “Sultan”, then, trust me it is more promising.
     3.     For Nawazuddin Siddiqui

Why not to watch:
     1.  If you look for logic in every movie.
    2.  If you don’t digest Hollywood copies that easily.
     3. If you look for method actors.

Banker’s Verdict – “Freaky Ali” is a cost-effective movie worth investing your hard earned money. It works on the theory of “no loss, no gain”



Rating – 2.5/5


[image courtesy: google]

Tuesday, August 23, 2016

That sweet THANKS...!

Supriya was nervously looking at the clock behind the speaker’s head. It was already 9:00pm, still, she didn’t know how much more time it would take her to reach home. She was stuck in this office presentation, and there seemed no scope for an early excuse.

Finally, after almost half an hour, the meeting ended on a successful note. Supriya found herself too exhausted to drive all the way home. Somehow, she dragged herself to the parking and stretched on the driving seat. Another hour's journey to home! She didn’t know why she felt like crying. What a life she was living? Waking up every morning to worry about breakfast and lunch, juggling between her husband’s and her child’s daily needs, rushing to office, working like a maniac and coming back all the way worrying about the dinner and again the next day’s circus… Although she had house-help for all domestic chores, it was the lady who was running the house. And only a working woman could understand that no house-help could substitute the role of running one’s own house. It was Supriya’s personal decision to be a working wife and Mom. She knew that her husband took pride in her decision. Having a regular routine kept her fit and her managerial skills were tested from time to time. She knew that her husband tried to do his very best to comfort her and help her in everything. But that was always very little.

There used to be some days like that, when she hated her life.

It was almost 11:00pm when Supriya reached home. Her husband was home and watching TV. She felt like shouting on him but somehow contained herself and went straight to the bathroom. A warm shower lightened her mood to some extent and when she came out, she found her husband holding her favorite pajama set for her. But, she didn’t say anything.

Her husband, who was perhaps expecting some appreciation from her, went on to say, “Today, I have tried to do something in the kitchen. Hope, you might like it.”

Supriya didn’t reply and went to her baby boy’s room. The child was fast asleep.

“I fed him choco flakes. I didn’t know he liked them so much.” Her husband had sensed her bad mood and he was following her all across the house.

Still, there wasn’t any response from Supriya. She went straight to the kitchen. Traces of turmeric powder which were cleaned hastily were quite visible on the otherwise white kitchen tiles. Many jars had been replaced and that had led to the improper closing of the kitchen box and drawers. Oil was sprinkled on the oven. In nutshell, whole kitchen was a mess. Supriya took few seconds before she opened the lid of kitchen bowl and found freshly made chicken noodles. She picked up the bowl and placed it on the dining table. Her husband followed her with two plates.

Supriya served without a single word.

“I read the recipe somewhere. Hope it is good.” Her husband said.

Supriya didn’t say a word. Salt was too much for her taste but she remained silent.

By the time, the dinner was finished, her husband was done. Supriya could clearly see the sadness on his face. Her husband cleaned the dining table and went straight to bed.
Supriya was left all alone introspecting herself. Her bad day was not her husband’s fault. He could have easily remained oblivious to everything with an I-have-nothing-to-do-with-all-this attitude. Instead, he did his best to cheer her up. And she awarded him with a cold response.

Supriya went into the bedroom and found her husband lying with closed eyes, perhaps trying to sleep. She cuddled onto his back and said softly, “Thank you, Rajeev!”

“For what?” Rajeev asked coldly.

“For loving me so much!” Supriya nuzzled onto him lovingly.

A few moments later, Rajeev turned back and kissed her.

[Picture Courtesy: Google]



At times, we are so busy complaining about the negativities of our lives that we forget to be thankful for the beautiful positivities.